Best compact cameras

If you're looking for the best compact cameras of 2014 then you've come to the right place. We will guide you through the hottest cameras to save you time when it comes to buying one from your local shop or online.

Compact cameras are plentiful. With new releases and updates flooding the market every few months it's as much an assurance to know that the most up-to-date tech is out there as it is a hindrance to decide which one to pick. 

Run this question through your head: "Which compact camera is best for me?" There are lots of ways to think through it - what do you want to use the camera for? Perhaps you want a versatile, all-rounder for a holiday or travel jaunt, a camera with a bonkers-long zoom for some extra curricular activities or spotting those lions and elephants on safari, a compact with a viewfinder built in, or that pro-spec DSLR alternative. There's something out there for everyone.

Here at Pocket-lint we've been cutting through the abundance of compact camera releases in 2014, including the creme de la creme of last year's models which remain strong. We've broken our list of great cameras down into sub-headed categories to make things easier to digest. You name it, we've got you covered.

We'll be regularly updating this feature with the latest and greatest compact cameras that we review in full - and only those we've seen and judged - so you can see where your money is best spent.

Best do-it-all compact cameras

Panasonic Lumix TZ40

Smartphones are overtaking the bottom-end of the compact world, so when it comes to buying a more serious dedicated compact camera there's a lot to think about. A model such as the Panasonic Lumix TZ40 has a wide-ranging 20x zoom that can deal with 24mm wide-angle shots for those group photos, or extend right through its 480mm equivalent to snap those far-away subjects large in the frame.

Built-in image stabilisation moves the lens by microscopic amounts to counteract any wobbly handshake, while the super-fast autofocus and hands-on touchscreen control is about as good as we've seen from a compact camera. 

All that delivered from a small-bodied and pocketable model that can be carried anywhere. There's even built-in Wi-Fi and NFC for sharing pictures via a smartphone.

Despite being last year's model - the Lumix TZ60, complete with built-in viewfinder, has now arrived, see the viewfinder section further down the page - the TZ40 remains one of our favourite do-it-all compact cameras.

PRICE: £215 (at time of writing)

FULL REVIEW: Panasonic Lumix TZ40 review

Canon PowerShot SX700 HS

Having a 30x optical zoom is 2014's flavour and if top image quality is a must then Canon seems to know best. The PowerShot SX700 HS might not be a budget buy, but it cleverly undercuts the main competition from Panasonic and Sony by enough to make us stand up and pay attention.

If you must have a massive zoom in a pocketable format then there’s a lot going for the SX700 HS. However the maximum zoom does have its limitations and Canon has negated to boost its general feature set compared to last year's SX280 HS model - so that might be worth tracking down for a bargain buy.

What the Canon achieves is quality images. The SX-line has always been top of its class in this regard and the SX700 HS is no different, hence making it one of the top travel zooms available today.

PRICE: £279 (at time of writing)

FULL REVIEW: Canon PowerShot SX700 HS review

Best connected compact camera

Samsung Galaxy Camera 2

Connectivity is all the rage at the moment, as who wouldn't want a quick, easy and wireless way of sharing their pictures? But no camera company has been able to deliver that concept better than Samsung. 

The Samsung Galaxy Camera 2 may have its share of issues just as the original model did - image quality lacks biting sharpness, and the product is rather big - but it's a breeze to use thanks to its Android operating system. 

The Galaxy Camera 2 is, in essence, a high-end Samsung Galaxy smartphone with a whacking great 21x optical zoom lens popped on the front of it. It's better and just so much easier to work with than any of its connected competitors, but we can't help think a smaller device with a higher-spec lens would elevate this product to a whole new level. It's getting there.

PRICE: £399

FULL REVIEW: Samsung Galaxy Camera 2 review

Pocket power

When it comes to something small and pocketable, but where image quality needs to be a step above the conventional compact there are various series on offer.

These tend to have shorter zoom lenses in order to retain best sharpness and clarity throughout the range while offering more advanced optical features such as wider maximum apertures for low-light shooting or creating that pro-looking, soft-focus background effect. 

Alternatives to the pair below include the Fujifilm XQ1, which we found to have occasionally questionable autofocus, the Nikon P340, and viewfinder-donning Panasonic Lumix LF1.

Canon PowerShot S120

The S120 model is the epitome of a pocketable yet powerful compact, so if small is your goal then there are few other competitors worth considering in our view. It's not as complex as some pricier, more advanced models with larger sensors, but that's  just fine.

The 1/1.7-inch sensor produces great-looking images straight from the camera and a maximum f/1.8 aperture at the widest angle setting - a third of a stop brighter than its S110 predecessor - makes for greater shooting control.

There are plenty of other techie features too: Wi-Fi, a touchscreen control, a physical lens ring control that we're particularly fond of and super-fast autofocus. It's a cracking compact camera only let down by some issues, if we're being extra critical: overexposure, limited battery life, the high price and a Wi-Fi setup that could be improved are the main shortfalls. But that doesn't hold it back from being a winner.

PRICE: £365 (at time of writing)

FULL REVIEW: Canon PowerShot S120 review

Panasonic Lumix LX7

Panasonic knows a high-end compact and we have a real soft spot for the LX7, despite it being the oldest compact in our list. It's got its own style, which includes a physical lens ring and other on-body controls that make it feel truly high end. Compared to its near competitors the build quality is a step above.

Autofocus is swift, raw and JPEG images are detailed from the 1/1.7-inch sensor and there's even a hotshoe that can be used to add an optional electronic viewfinder should you wish.

For our money this is the choice camera in this department - it's ideal as a DSLR supplement when you don't want to roll the big guns out, because the LX7 can happily live in your pocket or bag at all times. None too bad for its now affordable asking price either. 

Even if the LX7 doesn't produce class-leading image quality at the mid-high ISO settings, there's just something magic about the design, layout and the way the camera feels in use. We love the physical aperture ring and the super-bright f/1.4-2.3 maximum aperture setting sets it apart from much of the competition. One not to be underestimated - this is all-round quality so long as you don't want to use high ISO settings all the time.

PRICE: £289 (at time of writing)

FULL REVIEW: Panasonic Lumix LX7 review

Best affordable built-in viewfinder

A growing sector. With high-end models such as the Olympus Stylus 1 adding an electronic viewfinder just as quality as an interchangeable lens system it's a category that's pushing forward, although many of the more affordable options have their limitations - it's a case of weighing up expectation to price point. More premium options are also available, such as the Sony RX100 III - check further down the page for the lowdown on that one and more.

Panasonic Lumix LF1

The LF1 is a camera with its heart in the right place, even if the viewfinder arguably isn't. But what's important here is that it actually has a finder built-in to aid shooting in brighter conditions. And for the asking price that will make this a camera worth buying for that reason alone.

The viewfinder isn't the largest nor best quality out there, but we're looking at a sub-£300 compact here. And for a compact that produces decent image quality, has a physical lens control ring, can capture raw files and is truly pocketable that's a fair price.

Given its small scale, the 28-200mm f/2.0-5.9 equivalent lens provides a wide-ranging zoom. The Lumix LF1 is lots of good ideas combined for an affordable price.

PRICE: £285 (at the time of writing)

FULL REVIEW: Panasonic Lumix LF1 review

Panasonic Lumix TZ60

If you want more zoom than the LF1 (above) has to offer, then the Lumix TZ60 is a viable alternative. Although we find it a leftfield update of the TZ40 model, it's one of those new-wave cameras that crams a small electronic viewfinder into its build.

There's decent autofocus, good image quality, excellent image stabilisation and a whole roster of other top features that show the TZ60's aspirations to be a one-stop shop for all things. There's no touchscreen this time around, but if you're lifting the camera to your face then that would just become an irritation, not to mention an additional cost.

Given the TZ60's current affordable price point we can see the attraction for viewfinder seekers on a budget. If you're after a big zoom with big features then the Lumix TZ60's 30x zoom (24-720mm f/3.3-6.4 equivalent) scores big Brownie points.

PRICE: £349 (at the time of writing)

FULL REVIEW: Panasonic Lumix TZ60 review

Best superzooms

When normal compacts just aren't enough and you want to zoom in on those far-away subjects to make them appear large in the frame, a superzoom - sometimes called bridge camera - is just the ticket. Safari, bird spotting and so forth are well matched to a superzoom camera.

These models may not necessarily replace a DSLR camera in terms of ability and final image quality, but by employing small sensor sizes their respective lenses are also relatively compact and far more affordable compared to a pro-spec camera. Modern superzooms combine significant zoom lenses in reasonable body sizes with an abundance of tech that makes them very attractive prospects.

Panasonic Lumix FZ200

Typically as a zoom lens extends the amount of light it lets in dips, which potentially means image quality can suffer in low-light conditions. Not so with the Panasonic Lumix FZ200 - its wide-angle 24mm lens extends all the way through to a 600mm equivalent, all the while maintaining a maximum f/2.8 aperture. And that's been managed without significant impact to the model's relatively trim scale.

This f/2.8 aperture means more light can enter the camera which is ideal for faster exposures to capture action or to avoid using those less desirable higher ISO sensitivities.

The FZ may not be brand new, but it's a well-proportioned superzoom that, unlike most of its competitors, focuses on advanced control and a bright constant aperture instead of four-figure zoom equivalents. Still, the 600mm maximum equivalent is more than significant, even if it's less than some competitors out there. 

Unless a yet longer zoom is an essential to your needs then this is still our top superzoom pick.

PRICE: £325 (at time of writing)

FULL REVIEW: Panasonic Lumix FZ200 review

Canon PowerShot SX50 HS

The SX50 HS really does put the "super" in superzoom: its 24-1200mm equivalent lens is a whopper and, fortunately, is matched with top-notch image stabilisation to boot to ensure steady image preview even at the longest of focal lengths. It has just been replaced by the SX60 HS model, delivering a wider-angle and longer zoom still - we'll bring more information about that when we review it in full.

We love the camera's vari-angle LCD screen and how well it performs in bright conditions, while the fast autofocus is a step beyond its SX40 predecessor and the resulting image quality is impressive from such a camera. 

But it's how the SX50 HS performs as a whole that makes it such a cracker. There's plenty of bang for the budget which is more affordable than a DSLR body, so we can see the appeal.

The SX50 is the full package deal and delivers on the zoom front - its top-end 1200mm equivalent focal length is double that of the Panasonic FZ200. But it's not just big on zoom, it's big on image quality too and we still don't think there's another superzoom on the market today that can deliver the same clarity as this Canon. The SX50 is pushing the limits of what's possible from a compact camera and, for the most part, succeeding.

PRICE: £330 (at time of writing)

FULL REVIEW: Canon PowerShot SX50 HS review

Panasonic Lumix FZ1000

Stepping things up a gear is the "premium superzoom" category, headed by the Panasonic Lumix FZ1000. It takes a 25-400mm f/2.8-4.0 lens and wraps it around a large 1-inch sensor for premium image quality. Many of the features are just as well as impressive as the top-spec Panasonic G-series interchangeable lens cameras, as is performance.

Although the Lumix FZ1000's physical size and price tag will be a barrier for more casual users, those it will appeal to will find lots of value for money in its jumbo feature set. From 4K video, to silent operation, fast 12fps burst mode, through to the vari-angle LCD and built-in electronic viewfinder combination, decent autofocus and stacks of physical controls. There's a lot on offer here.

Thing is, it's a lot of money to fork out and calling it a "compact" camera is a stretch. But if you don't want to be buying a system camera and want an all-in-one solution (which, admittedly, is a chunky beast) then this could be a viable solution. The longer lens and more accessible price point see it sit a step ahead of the Sony Cyber-shot RX10.

PRICE: £749

FULL REVIEW: Panasonic Lumix FZ1000 review

Best advanced or enthusiast compact cameras

Here's where compacts step up a gear. Whether it's all the bells and whistles in the form of hands-on controls, a built-in viewfinder or a large sensor for optimum quality, there are all kinds of advanced compacts to suit different tastes. But these bigger wedges of camera are not only larger, they tend to demand a more considerable asking price too.

Canon PowerShot G7 X

It's taken Canon a while to create compact camera with a 1-inch sensor size, the focus being on high-quality images. Although it doesn't opt for the smaller scale of the Sony RX100 line - first and third generation models are further down the page - and there's no viewfinder, there's still a lot to enjoy about Canon's take.

It's one of our favourite PowerShot cameras to date. That large sensor is matched with a tilt-angle screen which is both touch-sensitive and selfie-capable, alongside a 24-100mm f/1.8-2.8 equivalent lens.

But as much as we can split hairs over whether the Sony is better, what's clear with the Canon G7 X is that it's a positive push forward for the Canon series; one that takes good quality images and comes bundled into a pocketable, well-built body with customisable controls. Even if there is no viewfinder, the G7 X is one of the more notable G-series Canon cameras for a number of years.

PRICE: £579

FULL REVIEW: Canon PowerShot G7 X review

Sony Cyber-shot RX100

Beneath the RX100's rich black exterior is a 1-inch sensor - the same size sensor as you'd find in aNikon 1-series compact system camera, and much the same scale as the Canon G7 X (above). Considering the RX100's relatively small size that's a whopper of a sensor.

The high-resolution 20-megapixel sensor is balanced with decent optical performance from the 28-100mm f/1.8-4.9 equivalent lens - but that can't compete with some of the faster lenses of more recent models, including Sony's own third-generation RX100 III.

But this first-generation RX100 is here to stay as it's a bit of a bargain compared to its introductory price a couple of years back. It remains as strong now as it was on launch day. It's oh so good.

PRICE: £360 (at time of writing)

FULL REVIEW: Sony Cyber-shot RX100 review

Fujifilm X30

There might be legs for putting the X30 in the viewfinder subhead category, as its built-in electronic finder is as good as they get. Trouble is, it's a bit of a big beast so couldn't be considered pocketable compared to some of the more affordable offerings.

The Fujifilm X30 replaces the X20, a slightly larger-scale follow-up that's quite excellent but arrives at an obscure time. With the Panasonic Lumix LX100 now on the scene (see further down the page), there's an argument that the retro-themed Fujifilm line has found its comeuppance.

But having used the camera for some time, we've found a lot to love about it. The twist-barrel lens and tilt-angle LCD screen made it easier and often preferable to use than the pricier Panasonic Lumix LX100 in our book. And it's difficult to be critical of the low-mid ISO shots which show off plenty of detail thanks to the already proven 28-112mm f/2.0-2.8 equivalent lens. We'd like a slightly wider-angle optic next time though, and are surprised by its absence this time around.

Although the Fujifilm X30 has arguably lost its claim to the throne as the best-in-class high-end compact, there's a lot to be said for the physical controls, useful features, eye-catching design and, importantly, accessible price point. Competition is rife but also more expensive, so the X30 still remains a viable compact camera - just don't buy one hoping to shoot above ISO 1600.

PRICE: £479 

FULL REVIEW: Fujifilm X30 review

Best luxury compact camera

Sony Cyber-shot RX100 III

The Sony RX100 III pretty much has it all. It's small scale enough to be pocketable, yet has a premium build, a pop-out built-in electronic viewfinder and stacks of features - not to mention great image quality from its 1-inch sensor.

You might think we're mad for including more than one Sony RX100 model (the original is higher up the page), but the third-generation is an entirely different beast to the original. In the case of the Mark III it's all about the tilt-angle LCD screen, lens ring control and the newer, faster 24-70mm f/1.8-2.8 equivalent lens. It's a tour de force.

The Mark III isn't a subtle re-rub of the known formula, it's a rethink for the better and one that further elevates Sony's position in the premium camera market. If pocketable is priority then this is hands-down the best option out there. But it's far from cheap.

PRICE: £699 

FULL REVIEW: Sony Cyber-shot RX100 III review

Panasonic Lumix LX100

The Panasonic LX100 is like the company's LX7 on steroids. It's the first compact camera to feature a large Micro Four Thirds sensor - the same size you will find in top-of-the-line interchangeable lens models - for exceptional image quality. That's a bigger sensor than the RX100 III (above), delivering equal or better quality overall.

There's heaps on offer too, with physical retro dials giving that chunky metal body plenty of personality. There's an autofocus system that will see off a whole range of compact camera competitors, a fast 24-75mm f/1.7-2.8 equivalent lens and brilliant electronic viewfinder. But no tilt-angle screen or touch-based sensitivity is a bit of a downer, as is an aperture priority slow shutter speed glitch.

The LX100 might be in for a hard ride if you're after something pocketable though. It's not "big big", but doesn't achieve a pocketable scale like the Sony RX100 III. Saying that this is Panasonic laying the foundations of a great product, and one that we think is successful enough to cut theCanon G1 X line out of the picture. 

A few physical nips and tucks here and there, plus a couple of layout and features tweaks would see the LX100 be the perfect compact companion. But even as it stands, if the physical size doesn't perturb you then it's a camera with few peers. High-end compact cameras don't come much better.

PRICE: £699

FULL REVIEW: Panasonic Lumix LX100 review

Best fixed-lens compact camera

When money is no barrier and quality is everything, there's a camera for that. DSLR sensor sizes in compact bodies and, typically, a fixed lens (no zoom) that's matched up to its respective sensor for best possible image quality. Here's where the compact goes pro; these two special specimens don't just match DSLR quality, they often better it.

Fujifilm X100S

Fujifilm has stormed the high-end compact market with the X-range, and the X100S keeps the bar high for the series. We're shortly due to test the newer X100T model, which we expect to trump this classic, so keep your eyes peeled for that.

The X100S isn't going to be suitable for a huge audience as there's no zoom and its retro aesthetic is a specialist thing in itself - but that, in some regard, is all part of what makes this high-end compact so appealing.

It's not the model to pick if you're in to close-up macro shooting by any means, but what really sells the X100S is the unique-to-Fuji hybrid optical and electronic viewfinder. That may sound bonkers, but it's not: think of a wider-than-100-per-cent optical viewfinder with all the bells and whistles of an electronic overlay and that's what the X100S delivers. You can see beyond the frame's edges to help capture the shot at that decisive moment.

Image quality from the fixed 23mm f/2.0 lens - that's a 35mm equivalent when paired with the APS-C sensor - is so crisp, in part thanks to Fujifilm's own special colour array design and the fact there's no low-pass filter to bypass light diffusion for heightened sharpness. It's perfect for those candid street photography snaps.

PRICE: £899 (at time of writing)

FULL REVIEW: Fujifilm X100S review

Best full-frame compact camera

Sony Cyber-shot RX1

Sony's RX1 is the world's first and - excluding Leica's rangefinder models - only full-frame compact (ignoring the sister RX1R, that is).

Now that won't necessarily mean much to many, except those in the know. In summary it means the RX1 has a whopping great sensor at its core - the same size as traditional 35mm film negatives, no less - putting it on par with what you'd find in super-pricey pro-spec DSLR camera. Hence the RX1's apparently bonkers near-£2,000 asking price.

On the front of the RX1 is a fixed 35mm f/2.0 lens that doesn't compromise on quality, while the sensor is able to resolve wonderful image quality. But there's no compromise on price either: upon release the £2,500 recommended price tag saw the RX1 be among the priciest of compacts ever conceived.  

All that cash doesn't mean a ticket straight to compact heaven, however, as we've seen chromatic aberrations - those purple fringes around subject edges - in shots, while the autofocus is, well, it's just sluggish.

Sometimes you love something enough for the great things it does to ignore its shortcomings. That's what the Sony RX1 has done to us - while it's got shortcomings, to a select group of snappers this chunk of well-thought-out metal and glass will be a full-marks camera. It definitely feels special, and that's why it's made our list - because it's like the (Japanese) Ferrari of the compact camera world and unlike anything else you can buy today.

PRICE: £1,950 (at time of writing)

FULL REVIEW: Sony Cyber-shot RX1 review

CR.http://www.pocket-lint.com

Best DSLR cameras

You want to buy a DSLR camera but don't know what to go for? Then you've come to the right place, as this is where we round-up the best DSLR cameras of 2014. We'll guide you through the hottest cameras available - and only models that we've reviewed in full - to save you time when it comes to working out what the best options are.

DSLR cameras - which stands for digital single lens reflex - have removable lenses so that different optics can be attached in order to give a different view on the world. This variety allows you to start small and build-up to the more varied, sharper and desirable featured lenses as you go along. It also adds hands-on control for zoom and focus precision unlike that of most compact cameras.

DSLR cameras aren't to be confused with the newer compact system cameras that are also infiltrating camera shops up and down the land. They are the ones that typically look a little more like point-and-shoot cameras but also have interchangeable lenses (there are exceptions to that, with some models acting as out-and-out DSLR replacements). We've got the best system cameras covered in another feature, link below:

READ: Best compact system cameras 2014

Whether you're new to the DSLR concept, are looking to upgrade, know plenty about cameras already and are weighing up the options, or are considering a more pro-spec option, we've broken down our list of great DSLR cameras into sub-headed categories to make things that bit easier to digest. You name it, we've got you covered.

We'll be regularly updating this feature with the latest and greatest DSLR cameras as and when we review them, so you can see where your money is best spent as the best models float to the surface. Some older models remain in our selection, as we don't want to limit this list to 2014-only models.

A quick lesson in lenses

Lens mount

First thing's first: cameras don't work in a one-size-fits-all way. Brands like to keep their own heritage and, as such, each manufacturer has its own lens mount.

For Canon it's EF, for Nikon it's F-mount, for Pentax it's K-mount, and Sony has A-mount. There are some additions and exceptions, but those are the current four to focus on. Don't fall into the trap by buying the wrong lenses just because the brand names match up.

Sensor size

Second to the equation is sensor size. Entry and mid-level cameras typically have what's called an APS-C size sensor. Some pro-spec cameras have full-frame sensors that, because they're physically larger, need specific - typically pricier and more advanced - lenses that are capable of covering the larger dimensions. In each case the mount size remains the same, irrelevant of the sensor size. If you are looking at a top-of-the-range lens for a top-of-the-range camera, you'll know all this already. For those starting out, don't worry: it may seem a bit of a minefield out there, but a fairly easy one to understand once you get into the lingo of the manufacturer you've chosen. 

Focal length equivalent

There are plenty of things to consider with lenses and this all depends on the type of photography you are planning on doing. If it is all about portraits you'll want something like around the 50mm or 75mm mark. If you are trying to snap that lion on the Savanna and don't want to get eaten then you'll want something with a long zoom closer to 300mm.

Best entry-level DSLR

Nikon D3300

You've decided that a DSLR is the one for you, but you don't want to fork out masses of cash and don't want overbearing or complex controls to get in your way. The Nikon D3300 is the latest entry-level model to Nikon's series: an affordable and well-balanced choice to introduce you to the world of DSLR.

Complete with a Guide mode on its main mode dial, the camera can assist you in a visual way to generate the types of photographs you want. These visual cues will help in expanding your understanding of exposure, aperture values, depth of field and all those things that - quite probably - you don't know about just yet. But at the same time if that that sounds too daunting then just stick the camera in auto mode and press the shutter button - it'll do all the autofocus and exposure metering for you and, more often than not, do it well.

If there's a drawback it's that the optical viewfinder has a 95 per cent field-of-view, meaning that the outermost five per cent of the shot will be captured, but won't show up in the preview. It's typical of DSLR cameras at this level without exception.

Image quality from the D3300's 24-megapixel sensor is top quality, and compared to to its D3200 predecessor it's removed a filter between the lens and sensor for optimum sharpness. Competition comes in the form of the Canon EOS 1200D, which would be our other choice option at this level (see below).

PRICE: around £369

FULL REVIEW: Nikon D3300 review

Canon EOS 1200D

The Canon EOS 1200D might be a "safe" replacement of the three-year-old 1100D model, but it holds enough weight to keep the entry-level DSLR market bubbling along.

If you want to use the rear LCD screen to take pictures then you might as well forget about it and look to a compact system camera instead. But if you're after an affordable viewfinder-based option with the latest and greatest image quality at this level then the 1200D has definite plus points.

Just like the Nikon D3300 (above) the Canon 1200D has the same 95 per cent field-of-view viewfinder limitations, but that's to be expected at this price point. Speaking of which, despite being the newest entry-level DSLR model out there, the asking price isn't overly inflated - it's actually less than the older Nikon model.

Between the 1200D and the Nikon D3300 there's not a huge difference in performance, price nor resulting image quality. The Canon's 18-megapixel resolution may sound "inferior" to the Nikon's 24-megapixels - but that's not the case, and is roughly nine times the overall resolution of the Full HD television in your lounge anyway. Both cameras mean large images aid with the ability to crop into the shot.

The Canon has a companion app to help your learning, while Nikon opts for an in-camera Guide Mode. Whichever suits, choose wisely as once you're invested in a lens mount it'll pave the way for any future purchases and camera body progression. 

PRICE: around £309

FULL REVIEW: Canon 1200D review

Best small scale DSLR

Canon EOS 100D (Canon EOS SL1)

The Canon EOS 100D sits in a world of its own. It's as small as DSLR cameras come and that in itself is the single biggest reason for buying it. It's a technological mini marvel with a suitably affordable price tag to boot.

This is the DSLR to take up less bag space while delivering quality akin to the EOS 700D model thanks to the 18-megapixel sensor on board, which is like its bigger brother. The 100D stands out on its own, but doesn't cost the earth.

PRICE: £449 (body only)

FULL REVIEW: Canon EOS 100D review

Best mid-level DSLR

Canon EOS 70D

The 70D represents the DSLR in the post-mirror age. If you're looking for an all-rounder when it comes to both still images and movie capture then there's no other pure DSLR out there that can offer such a varied and successful feature set.

It's the camera's autofocus systems that wins out though. The Dual Pixel AF system - on-sensor phase-detection via live view and a different phase-detection system via 19-point AF system through the viewfinder - truly closes the gap on the compact system camera market. We've been genuinely impressed how each system works independently depending on how you use the camera - and there's no compromise for one or the other. A revelation when considering how poorly the Canon EOS M functioned.

It's a shame that the 70D's viewfinder doesn't offer a 100 per cent field-of-view, but otherwise a strong feature set - including a 3.2-inch, tilt-angle touchscreen - counters at almost every other avenue.

Great new technology, great image quality, and great in use - there are only a few nitpick shortcomings to the Canon EOS 70D. Otherwise it's as close to redefining the mid-level DSLR sector as we've seen in recent years.

PRICE: £815 (body only)

FULL REVIEW: Canon EOS 70D

Best entry-level full-frame DSLR

Full-frame is the holy grail of DSLR photography. Sensors the same size as traditional 35mm film negatives are considered full-frame. This large sensor sizes produces a pronounced depth of field, while the sensor's "pixels" are typically larger for a cleaner signal and, therefore, usually superior image quality compared to APS-C sensors (this can be resolution dependent).

Nikon D610

The words "entry-level" and "full-frame" tend not to go hand in hand. Given that close to £1,500 needs to be spent for that full-frame experience - and that's before considering lens costs - you need to be sure that you're ready to dip into the larger-sensor world.

The D610 replaces the earlier D600 and, frankly, doesn't change much. If you scour the internet you will find a series of complaints about some Nikon D600 owners experiencing issues with oil on the camera's sensor. It's not an issue we had, but the sudden arrival of the D610, with only a modest bump in features, suggests that it's a solution to brush any issues of its predecessor under the carpet. It does have a new shutter mechanism after all.

That might disappoint if you were hoping for a truly next-level experience, as the D610 only really adds Wi-Fi accessory compatibility and an ever so slightly faster burst rate to its predecessor. But the other side of the coin is that it retains all the good stuff of its predecessor.

This camera is like the lovechild of the high-resolution D810 (see below) and D7100. As most people won't need the full feature set or 36-megapixel resolution of the D810, the 24-megapixel D610 opens up the full-frame door to a wider audience. Top image quality for a great price. Slick stuff - and not an oil slick this time around.

If you're looking for something altogether different then the tilt-angle screen Nikon D750 might suit.

PRICE: £1,399 (body only)

FULL REVIEW: Nikon D610 review

Best pro-spec all-rounder (APS-C sensor)

When full-frame 35mm film was settled upon back in the day, it later spawned a smaller format that came to be known as APS-C. By having this smaller sensor the image produced by a lens is "cut into" - imagine literally cutting the negative down by 50 per cent - which gives the impression of a greater zoom. That's why you'll see some lens' focal lengths described in "35mm equivalent" - but also can mean smaller kit, depending on which lenses are selected.

Either way, this size of sensor doesn't mean it's necessarily any less professional. Manufacturers pour a lot of time and effort into making the best sensors at this scale, complete with full feature sets. It's the most common sensor size, and arguably the most versatile.

Canon EOS 7D Mark II

Let's cut to the chase: we're yet to use an APS-C sensor DSLR camera that's impressed us more than the Canon EOS 7D Mark II. The brand new 65-point all-cross-type autofocus system, new 150,000-pixel RGB infrared exposure meter, new shutter mechanism (to 200,000 cycles), faster burst mode to 10 frames per second (up from 8fps in the original 7D), and new 20.2-megapixel sensor all make it a feature-packed offering.

However, those thinking of upgrading from the original 7D who are hoping for a giant leap in image quality might not find their wishes granted. It's a similar story as it was between 5D second- and third-generations: a minor push forward. That said, we can't think of an APS-C sensor that performs better than the 7D MkII, so it's hardly a negative.

There are some feature absences that we would like to have seen on board, such as a tilt-angle screen, touch-sensitive operation, Wi-Fi integration and 4K video capture. But even these omissions aren't a deal-breaker for us.

Having used the 7D Mark II for a week we've come to appreciate just how capable that new autofocus system is. The battery life is great, while the layout, performance and resulting image quality are all exemplary. Even 1080p50 video will lure in plenty of punters.

PRICE: £1,599 (body only)

FULL REVIEW: Canon 7D MkII review

Best high-resolution DSLR

Nikon D810

Nikon did what we thought was utter madness when it announced the 36-megapixel D800 in 2012 - but after using it extensively we found its super-high resolution full-frame sensor was an utter marvel. Two years on from that launch and the D810 maintains the resolution but tweaks performance and image quality. The result is one of our favourite DSLR cameras ever.

It might not have the upper hand when it comes to those low-light shots, due to some image noise at the higher ISO settings, and the sheer volume of pixels means potential blur from movement can be amplified. But get it right and the results are a thing of beauty.

There are top-spec features aplenty too: the 51-point autofocus system is the best out there in our view, image quality even at this super-high resolution is astounding and the solid build, battery life and raft of features are formidable.

PRICE: £2,399 (body only)

FULL REVIEW: Nikon D810 review

Best DSLR for movie capture

Sony Alpha A99

We might have some qualms with the A99 as a standalone stills camera, but when it comes to movie capture it's Sony's single lens translucent (SLT) technology - which, we confess, means this isn't technically a DSLR - that make for exceptional fast and quiet autofocus.

There's a silent control wheel to the front of the camera for live adjustment during recording, while the full-frame sensor is spot on for blurred-background effects and creating those pro-looking 1080p shots.

All this can be witnessed in real time on the rear LCD screen without any cost to autofocus ability which, because of the SLT design, is just as fast as when using the camera through its electronic viewfinder - and that's also possible when capturing video.

Other cameras throw plenty at the movie front too - there's rarely a DSLR model that doesn't have plenty to offer in this department - but the Sony's got stacks of good stuff on offer. A sure winner.

There's rumours of an A99 II showing off 4K capture due in the new year, but we'll have to wait until 2015 to see how true that is.

PRICE: £1,499 (body only)

FULL REVIEW: Sony Alpha A99 review

Best enthusiast full-frame DSLR

Canon EOS 5D Mark III

You already know your stuff. You want to take the full-frame sensor plunge or perhaps upgrade from an earlier model but don't have the cash for the crazy-fast pro-spec camera. Yet you still want just enough power in a feature set that's rounded enough to cover sports, portraits, landscapes - the works. If the Nikon D810's high resolution doesn't suit your work then the CanonEOS 5D Mark III is the camera for you.

Now it's not cheap by any means - an end-of-line Mark II might do you justice instead - but it's got every base covered and that 22-megapixel sensor is not only awesome in good light, it aces low-light too. Add Canon's vast array of lenses and there's not another choice out there as we see it.

In short the 5D MkIII is a brilliant camera that offers both superb stills and fantastic video. It's ideal for people looking to get a video-capable SLR, but owners of the 5D MkII might want to keep their existing gear and wait for the next update. Still, when it comes to all-round versatility this is the camera to go for.

PRICE: £2,299 (body only)

FULL REVIEW: Canon EOS 5D Mk III review

Best specialist full-frame DSLR

Nikon Df

Looking for an entirely alternative approach? The Nikon Df could be exactly what you're looking for. It's wrapped the top-spec D4's full-frame sensor into a retro body similar to the FM2 from decades gone by. That means independent control dials for an old skool feel. "Wow" or "meh"? Take your pick - it'll be loved by some and seen as little more than a pricey exercise in nostalgia by others.

This could be the camera to reinvigorate where those photographic passions started. Classic manual control dials give the camera a distinct look and way of operation. But it all comes at a price: this niche camera is kitted out with the 50mm f/1.8 G lens only and has a recommended retail price of £2,749. Ouch.

The Nikon Df could be called over-ambitious. We can't shun the feeling that Nikon needs to learn some lessons from this release. But as much as we thought we'd made up our mind about the Df based on its "almost there" aspects, we just kept on taking photos, looking at the pictures and being impressed. And that's what pulls it back from the brink of obscurity because everything that comes out of this camera looks so great.

PRICE: £2,125 (with 50mm f/1.8 G lens)

FULL REVIEW: Nikon Df review

Best professional DSLR (full-frame sensor)

Canon EOS 1D X

The choices at this level are more or less two-fold if you're considering full-frame: Nikon D4S (below) or Canon 1D X.

Both cut it close and there's little to separate the two, but when it comes to being just a whisker ahead we think the Canon has it in the speed department. It offers the fastest-in-class burst mode, the battery seems to last forever and, importantly, its 18-megapixel full-frame sensor is just about perfect for all manner of jobs.

Some other full-frame models outperform in the resolution stakes, and it's questionable as to whether Canon lost its "movie king" hat, but otherwise the 1D X is as good as professional full-frame DSLR cameras get.

PRICE: £4,845 (body only)

FULL REVIEW: Canon EOS 1D X review

Nikon D4S

Although the Nikon D4S is an evolutionary rather than revolutionary continuation of the earlier D4 model, it's still as good as full-frame cameras come. There's little to separate this from theCanon EOS 1D X although, in our view, this is the camera with the best autofocus system released to date.

Shoot at the "normal" ISO settings - the extended settings become absurd, with ISO 409,600 a bit out there - and results are excellent, but it's the D4S's ability to assist in getting the shots that matter that makes it such an exceptional bit of kit.

For the average consumer this is the Ferrari of cameras: out of reach in both price and realistic use. For the pros out there it will be a potentially priceless tool, albeit one that only a handful will see as an immediate upgrade necessity.

PRICE: £4,679 (body only)

Cr.http://www.pocket-lint.com/